Through her transdisciplinary practice, Louise deLorme is interested in creating a hybrid art where connections often intersect in architecture and design. Public art allows her to do large-scale work accessible to the public 24 hours a day. Her studio research in sculpture favors materials selected a priori for their familiarity, origin, and aesthetic potential. Elements can be interchanged and create each other the moment they are connected, questioning the appearance and material aspect of things, neither identifiable nor practical. With painting, she’s interested in the exploration and meditative qualities of colors where color and form are inseparable, responding to ambient luminosity shifts. Recent photographic series use light as a material, where shadows, grain, and blur contribute to and emphasize the nature of every image.
